Well I've been kusoma many makala about this singer and actually really nothing has went wrong. She just had her major spotlight and now it went a little dim but she still has her main core shabiki base especially in Japan and China actually. She still has many mashabiki in other countries too but she doesn't have a whole lot of mashabiki in America as she did back in 2002. What are the reasons who really knows cuz everybody has different reasons about why they change artist for why they don't like this artist no zaidi just like she grew up people's tastes have changed. She is still a viable artist with...
Here's my ideas for 31 Candles: Avril Lavigne's Unforgettable Moments.
1. She's from Canada 2. Late 90s/early 00s is full of nostalgia 3. 2002 4. Complicated, the one that started it all 5. The Matrix 6. Let Go, Avril's first album 7. Avril on TRL 8. He was a boy, she was a girl 9. I'm With wewe 10. Avril won a nomination on MTV VMAs 11. Avril received 8 Grammy nominations 12. mashabiki loved the first two albums
In my last articles, I talked about why Avril Lavigne needs to make an album without any bratty songs for inayofuata mwaka and why Avril Lavigne needs to resign Sony muziki Entertainment and moved to Universal muziki Records.
As wewe may know that Avril Lavigne has dominated the muziki department in 2002 with Let Go and its 3 number 1 singles, Complicated, Sk8er Boi and I’m With You. Plus, Losing Grip with is her most serious song of all her Let Go era songs even though Losing Grip doesn’t do great in the charts and the muziki video released on the awful 2003 tarehe instead of a very good...
wewe know something? This reminds me of something. I think Avril Lavigne needs to resign Sony muziki Entertainment because Sony muziki Entertainment can’t stand Avril Lavigne and Sony muziki Entertainment only wants big names and RCA like Beyonce. That’s all Sony muziki Entertainment does, big names and RCA. wewe see, Avril Lavigne only appeals early 2000s and Asia. It does not appeal Avril Lavigne materials in general like Under my Skin (despite the album sold well and mashabiki upendo it). Worse, Sony muziki Entertainment refuse to get familiar with Avril Lavigne after her career was just getting...
hujambo there, Avril Lavigne readers. I’ll be talking about a new Avril Lavigne album for inayofuata year. As wewe may know that 2010s is a very difficult decade for Avril Lavigne. Avril Lavigne making new muziki still only have bratty songs and Japan. America hates Avril Lavigne like Girlfriend. mashabiki still only like Let Go/Under My Skin and Avril Lavigne is huge in the public still only have Let Go era/Girlfriend. Arista is gone. Sony muziki is moving away from Avril Lavigne and only wants big names and RCA like Britney Spears and Miley Cyrus respectively. RCA/Epic Records ruined Avril Lavigne songs...
I will all of wewe that I think MTV VMA wants Avril Lavigne appearing on MTV VMA back.
Last year, Avril Lavigne gives heshima to Miley Cyrus’s VMA Performance and claims that she’s young & expressing herself. Let's not forget Miley Cyrus performing her awful We Can't Stop with Robin Thicke after he sings his overrated Blurred Lines. Stupid Blurred Lines and We Can't Stop. Let's continue.
It’s what everyone’s talking about since MTV aired its infamous Video muziki Awards last mwaka about Miley Cyrus‘s provocative and edgy...
Hello, Little Black Stars. It’s time to talk about why rock muziki stations needs to play Avril Lavigne songs. I hope wewe enjoy it.
Now, as wewe may know that pop muziki stations are getting tired of Avril Lavigne. So what we need for Avril Lavigne is songesha her muziki to rock muziki stations this mwaka that way pop muziki can finally get out of Avril Lavigne for good.
So in order for rock radio to play Avril Lavigne, here’s a good suggestion, never ever play Girlfriend, What The Hell au Hello Kitty on rock radio. That means, Girlfriend au Goodbye Lullaby singles like...
As wewe all know that we spent a weekend listening to only Avril Lavigne albums to figure out where it all went wrong.
It’s hardly surprising when a pop nyota becomes a punchline. A life in the public eye is challenging at the best of times, let alone in a digital age when scorn and mockery are easy tactics to cope with mass culture’s persistent attempts to tell us what to buy/consume/listen to. Some pop stars manage to rebound from the jokes; others get buried under them.