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Review by deedragongirl posted miezi 4 iliyopita
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The 4 Protagonists
Hi guys, I had seen this film many years zamani and I immediately feel with the film. Especially Judy Garland's portrayal of Dorothy Gale, so here is my review on this 1939 classic.

The Film

I really upendo how the film starts of as a sepia tone, it wasn't only until Dorothy lands in Oz that it became multicolour. It was like stepping into a storybook universe that we always dream of!
I always upendo Margaret Hamilton's portrayal as the Wicked Witch of the West, I kind of feel bad when she was killed of! But, Dorothy has no choice at all.

The Songs

The song 'Somewhere Over the Rainbow' has been my favourite song from this movie, it has been sung kwa many artists in the likes of Il Divo, Ariana Grande and Katharine McPhee on American Idol 2006.
The other song 'Ding Dong! The Witch is Dead!' is very comical and sadly to say, it is played at Margaret Thatcher's funeral kwa Anti-Thatcher movement in the UK. I couldn't imagine why!
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Review by deedragongirl posted miezi 10 iliyopita
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The Haunting
Hi guys, I will be uandishi 2 horror films and they're The Innocents and The Haunting. Both films are based on novels and I'll write a review about them right now.

The Haunting

Considering that was made in the 60's and there were no modern technologies for CGI at that time. I upendo how they use the Psychological fear that are shown in both Nell and Theo.
It is actually unclear if the house is haunted au that Nell did it for the sake of attention, I would definitely go with the latter because Nell is mentally unstable in my opinion and that she has been looking after her ailing mother prior to the events of the film.
My favourite character is Luke because he understands the whole situation and unlike the 1999 remake, he is not killed.

The Innocents

Based on the novel called 'The Turn of the Screw' I watched bits of this film on Youtube and the film eerily reminds me of The Others due to similar characters in it, the only difference was it was the Exorcist meets The Others!
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Review by DR76 posted miezi 12 iliyopita
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"THE MISSISSIPPI GAMBLER" (1953) Review

Tyrone Power's career took a strange turn during the post-World War II years. Although he still managed to maintain his position as one of Twentieth Century Fox's juu stars during the remainder of the 1940s, something happened as the 1950s dawned. Powers still found himself in Grade A sinema during that particular decade. But he also seemed to appear in a growing number of standard costume melodramas.

Twentieth Century fox, mbweha lent Powers to Universal Pictures to nyota in the 1953 drama called "THE MISSISSIPPI GAMBLER". Directed kwa Rudolph Maté, "THE MISSISSIPPI GAMBLER" told the story of a New York-born gambler named Mark Fallon, who moves to New Orleans with ambitions to create his own gambling casino. During the riverboat journey down the Mississippi River, Mark becomes the friend and protégé of an older gambler named Kansas John Polly. The pair also run afoul of a crooked gambler and two Creole siblings named Angelique and Laurent Dureau. During a poker game, Mark exposes the crooked gambler. Also Laurent Dureau loses all of his money and his sister's priceless mkufu during the game. Upon...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"OTHER MEN'S WOMEN" (1931) Review

Adultery is rarely treated with any kind of maturity in fiction - whether in novels, plays, sinema and television. I am not saying that adultery has never been portrayed with any maturity. It is just that . . . well, to be honest . . . I have rarely come across a movie, televisheni series, novel au play that dealt with adultery in a mature manner. au perhaps I have rarely come across others willing to face fictional adultery between two decent people with some kind of maturity.

If one simply glanced at the title of the 1931 movie, "OTHER MEN'S WOMEN", any person could assume that he au she will be facing one of those salacious tales from a Pre-Code filled with racy dialogue, scenes of women and men stripping to their underwear au morally bankrupt characters. Well, "OTHER MEN'S WOMEN" is a Pre-Code movie. But if wewe are expecting scenes and characters hinting sexy and outrageous sex, wewe are barking up the wrong tree.
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List by deedragongirl posted zaidi ya mwaka mmoja uliopita
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The King and I
Hi guys, since this is my first makala on the shabiki club. Here are my orodha of favourite classic sinema that I grew up with, ready?

1. The King and I

This famous musical was the earliest that I saw and I upendo the songs, but favourite scene was definitely the Small House of Uncle Thomas. I upendo how the setting is Thai even-though the story is American.

2. The Sound of Music

I upendo the songs and the scenery, I was in Salzburg 9 years zamani but did not jiunge the Sound of muziki tour sadly. But I hope to go in the future! Initially, I did not know that it was base on a true story of Captain Von Trapp. Secondly, this makala is dedicated to Charmian Carr, who played Liesl von Trapp in the movie had recently passed away last weekend.

3. Oklahoma

I had seen this movie a few months ago, and I upendo the story. Especially the cast, it is very funny and interesting as the story progresses.

4. Carousel

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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"THE PRISONER OF ZENDA" (1937) Review

I realize that many film critics and mashabiki would agree with my suspicion that the 1930s saw a great deal of action films released to theaters. In fact, I believe there were as high number of actions films released back then as they are now. Among the type of action films that flourished during that era were swashbucklers.

One of the most famous Hollywood swashbucklers released during the 1930s was "THE PRISONER OF ZENDA", producer David O. Selznick's 1937 adaptation of Anthony Hope's 1894 novel. This tale of middle European political intrigue and identity theft has been either remade au spoofed countless of times over the years. One of the most famous spoofs included George MacDonald Fraser's 1970 Flashman novel called "Royal Flash". But if one asked many moviegoers which adaptation comes to mind, I believe many would point out Selznick's 1937 movie.

Directed kwa John Cromwell, the movie began with Englishman Rudolf Rassendyll's arrival in the kingdom of Ruritania in time for the coronation of its new king, Rudolf V. The English visitor's looks attract a great deal of attention from...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"DEVIL AND THE DEEP" (1932) Review

I am not one of those movie lovers who seemed to my selection of films to one particular genre au period in filmaking. Nor do I regard films from one particular era to be superior to another. I either enjoy an individual film au I do not.

Recently, I watched the 1932 melodrama called "DEVIL AND THE DEEP". The movie featured the screen debut of Charles Laughton as a submarine commander who expresses jealousy toward any man who pays attention to his long suffering wife. It also starred Tallulah Bankhead as the long suffering wife and the commander’s new executive officer, who harbors feelings for the wife.

The movie begins with Commander Charles Sturm harboring jealous suspicions of a romance between his wife Diana and Lieutenant Jaeckel, a young officer aboard his submarine. Sturm's suspicions are baseless, since Jaeckel's only interest in Diana is to offer her friendship. But Sturm has him transferred with a mark on his record. After Sturm indulges in a fit of jealous rage, Diana hits the streets of a North African port city during a festival and encounters another officer, who turns...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"LITTLE WOMEN" (1949) Review

Louisa May Alcott's 1868 novel is a bit of a conundrum for me. I have never been a shabiki of the novel. I have read it once, but it failed to maintain my interest. Worse, I have never had the urge to read it again. The problem is that it is that sentimental family dramas - at least in print - has never been appealing to me. And this is why I find it perplexing that I have never had any problems watching any of the film au televisheni adaptations of her novel.

One of those adaptations proved to be Metro-Goldwyn-Mayer's 1949 adaptation, which was produced and directed kwa Mervyn LeRoy. It is hard to believe that the same man who had directed such hard-biting films like "LITTLE CAESAR", "I AM A FUGITIVE FROM A CHAIN GANG" and "THEY WON'T FORGET", was the artistic force behind this sentimental comedy-drama. au perhaps MGM studio boss, Louis B. Meyer, was the real force. The studio boss preferred sentimental dramas, comedies and musicals. Due to this preference, he was always in constant conflict with the new production chief, Dore Schary, who preferred zaidi realistic and hard-biting movies. Then wewe had...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"GONE WITH THE WIND" (1939) Review

Several years ago, I had come across an makala that provided a orodha of old classics that the mwandishi felt might be overrated. One of those sinema turned out to be the 1939 Oscar winning film, "GONE WITH THE WIND". Not only did the mwandishi accuse the movie of being both racist and sexist, he also claimed that the movie had not aged very well over the past seven decades.

Did I agree with the author? Well, let me put it this way. I would say that "GONE WITH THE WIND" has managed to withstand the tests of time . . . to a certain extent. As the mwandishi had pointed out, the sexism and racism are obvious and rather off-putting. First of all, the slaves came across as too servile for my taste. Although there were moments when it seemed the slave Prissy did not particularly care for the movie's heroine, Scarlett O'Hara. And although Prissy was not the only dimwitted character in the story (think of Melanie and Charles Hamilton's Aunt Pittypatt, the Tarleton brothers, and yes, even Charles Hamilton himself), she had the bad luck to spout that unfortunate line that must have been the bane of actress Butterfly...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"THIS GUN FOR HIRE" (1942) Review

In response to the success of Warner Brother's 1941 movie, "THE MALTESE FALCON", Paramount Pictures followed up with its own film noir flick with its adaptation of Graham Greene's 1936 novel, "A Gun for Sale". This film not only made Alan Ladd a star, despite receiving fourth billing; it also marked the first of his four sinema with co-star Veronica Lake.

Set during the early months of America's participation in World War II, the movie opened with a hitman named Raven killing a chemist and blackmailer in San Francisco. Raven's employer, a nightclub owner named Willard Gates, also serves as a middle-man for the employer of the murdered chemist. After Raven hands over a stolen chemical formula to Gates, the latter pays him with marked bills and reports them to the Los Angeles Police as stolen cash from his company, Nitro Chemical. Raven learns of the set up and seeks revenge against both Gates and the latter's employer, Alvin Brewster. Meanwhile, LAPD Detective Michael crane is in San Francisco, visiting his girlfriend and nightclub entertainer Ellen Graham, when he is assigned to the case....
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"WUTHERING HEIGHTS" (1939) Review

Considering the popularity of the Brontë sisters, it is not surprising that there have been considerable movie, stage and televisheni adaptations of their novels. I discovered there have been at least fifteen (15) adaptations of Emily Brontë's 1847 novel, "Wuthering Heights".

I might as well be frank . . . I am not a major shabiki of the novel. I never have been. I do not dislike it, but I have always preferred the famous novels of the author's two sisters - namely "Jane Eyre" (1847) kwa charlotte Brontë and Anne Brontë's 1848 novel, "The Tenant of Wildfell Hall". For some reason, "Wuthering Heights" depresses the hell out of me. I have nothing against works of fiction laced with tragedy. But the heavy barrage of emotional and physical abuse, revenge, and over-the-top passion has always seemed a bit too much for me. Due to my less-than-enthusiastic regard for Ms. Brontë's novel, I have always been reluctant to watch any of the televisheni au movie adaptations, with the exception of one - the 1939 movie produced kwa Samuel Goldwyn.
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"THE LIVES OF A BENGAL LANCER" (1935) Review

For years, I could never understand Hollywood's penchant for making so many films about the British Empire during the first half of the 20th century. The film industry had released films about imperial outposts under the control of other countries - like France, Spain and even the United States. But why did they film so many about British Imperialism? One of those films is the 1935 feature, "THE LIVES OF A BENGAL LANCER".

"THE LIVES OF A BENGAL LANCER" is based upon the 1930 memoirs of a former British Army officer named Francis Yeats-Brown. But if wewe are expecting the movie to be a clear adaptation of Yeats-Brown's book, wewe are in for a big disappointment. I suspect Paramount Pictures and producer Louis D. Lighton simply used the book's title and setting - Imperial India - to create their own movie. The movie's screenwriters, who included Waldemar Young and John L. Balderston, wrote a story about the experiences of three British Army officers serving with the 41st Bengal Lancers on the Northwest Frontier of India. The Scots-Canadian Alan McGregor welcomes two replacements to the 41st...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"CALIFORNIA" (1947) Review

I am a history nut. And one of my inayopendelewa historical periods that I upendo to study is the Antebellum Era of the United States. One of my inayopendelewa topics from this period is the California dhahabu Rush. I also upendo movies. But despite this love, I have been constantly disappointed kwa Hollywood's inability to create a first-rate movie about dhahabu Rush.

I may have to take back my maoni about Hollywood's inability to produce a first-rate movie au televisheni production about the dhahabu Rush. There were at least three that managed to impress me. Unfortunately, the latest film about the dhahabu Rush that I saw was Paramount Pictures' 1947 film, "CALIFORNIA". And it did not impress me.

Directed kwa John Farrow, "CALIFORNIA" told the story of how California became this country's 31st state. The story, written kwa Frank Butler and Theodore Strauss, is told from the viewpoints of a handful of characters - a female gambler/singer named Lily Bishop, a former U.S. Army officer-turned-wagon train guide named Jonathan Trumbo, a former slave ship captain and profiteer named Captain Pharaoh Coffin, and a Irish-born farmer named...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"THE LADY VANISHES" (1938) Review


During a seventeen mwaka period between 1922 and 1939, legendary director Alfred Hitchcock became one of the zaidi prolific directors during the early years of British cinema. Films such as 1934's "THE MAN WHO KNEW TOO MUCH" and 1935's "THE 39 STEPS" caught the attention of film critics and Hollywood producers. But it was 1938's "THE LADY VANISHES" that paved the way for Hitchcock to achieve Hollywood fame and fortune.

Based upon Ethel Lina White's 1936 novel, "The Wheel Spins", "THE LADY VANISHES" is about a young English woman named Iris Henderson, who stumbles across a mystery surrounding the disappearance of an elderly woman and fellow Briton from a train traveling westward, across Europe. In the fictional country of Bandrika, a group of travelers eager to resume their journey west is delayed kwa an avalanche that has blocked the railway tracks. Most of the travelers bunk at a local hotel, where Iris and her two Marafiki had been staying for their holiday. Later that night, a folk singer plays a tune that catches the attention of the elderly Miss Froy (May Whitty), who has...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"RED-HEADED WOMAN" (1932) Review

According to Hollywood legend, at least a handful of sinema made during the period known as the Pre-Code Era (1929-1934) had pushed the boundaries of on-screen decency so deeply that they may have been responsible for the stringent enforcement of the Hays Code between the mid-1930s and the late 1960s. One of those sinema happened to be MGM's 1932 comedy called "RED-HEADED WOMAN".

Based upon Katherine Brush's 1931 novel, "RED-HEADED WOMAN" told the story of Lilian "Lil" Andrews, a young secretary at the Legendre Company who uses sex to advance her position there kwa instigating an affair with William "Bill" Legendre Jr., the son of her wealthy boss. During the course of the film, Lil engages in pre-marital sex, breaks up Bill's marriage to his ladylike wife Irene. After Lil marries Bill following his divorce, she finds herself shunned kwa high society due to not only her nyumbani wrecking, but also her lower-class origins. Lil tries to force herself into high society kwa seducing the Legendres' main customer, wealthy coal tycoon Charles B. Gaerste and blackmailing him into sponsoring her own party. But the plan...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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”AROUND THE WORLD IN 80 DAYS” (1956) Review

Based upon Jules Verne’s 1873 classic novel, ”AROUND THE WORLD IN 80 DAYS” is the story of a 19th century English gentleman named Phileas Fogg and his newly employed French valet, Passepartout, attempt to circumnavigate the world in eighty (80) days on a £20,000 wager set kwa his Marafiki at the Reform Club. Produced kwa Michael Todd, the Academy Award winning film starred David Niven, Cantinflas, Shirley MacLaine and Robert Newton.

Could someone please explain how ”AROUND THE WORLD IN 80 DAYS” managed to win the 1956 Best Picture Academy Award? How on earth did this happen? Do not get me wrong. Ever since I first saw ”AROUND THE WORLD IN 80 DAYS” on televisheni years ago, I have been a shabiki of the movie. The idea of someone taking a long journey around the world – especially in an age before air travel – greatly appealed to me. It still does. I like the idea of travel, whether I am doing it myself au watching it on the big screen au on television. And even after all of these years, I still enjoy watching this movie. And yet . . . I simply cannot fathom the idea of it being...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"THE BLUE DAHLIA" (1946) Review

Sometime during World War II, novelist Raymond Chandler was hired kwa Paramount Pictures to co-write the 1944 film classic, "DOUBLE INDEMNITY", with writer-director Billy Wilder. Another two years passed before the studio assigned him to write a post-war film noir movie, 1946’s "THE BLUE DAHLIA".

Directed kwa George Marshall, ”THE BLUE DAHLIA” was about a U.S. Navy pilot, Lieutenant-Commander Johnny Morrison, who returns nyumbani to Los Angeles with his buddies and medically discharged crewmates, Buzz Wanchek and George Copeland. Buzz is prone to memory lapses and headaches, and is often short tempered, all likely due to his head wound. Johnny finds his wife Helen living and partying in a hotel bungalow. He also spots her kissing her boyfriend, owner of the Blue Dahlia nightclub, Eddie Harwood. After punching Eddie, Johnny lets Helen know that he is willing to try to salvage their marriage. However, Helen is not willing and she informs him that their son did not die of dipththeria as she had written, but from a car accident caused kwa her when she was drunk. Johnny momentarily threatens her with a gun,...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"THE ADVENTUERS OF ROBIN HOOD" (1938) Review

Back in 1938, the adventure film ”THE ADVENTUERS OF ROBIN HOOD”, was released in theaters for the first time. For many mashabiki and film critics, the swashbuckler is considered the definitive Errol Flynn movie. They also view his character, Sir Robin of Locksley, as the pinnacle of the Australian actor’s career.

There have been awali versions of the Robin kofia tale before and after. The other most famous versions are the 1922 silent film that starred Douglas Fairbanks and the 1950s TV series that starred Richard Greene. Like the other versions, the movie told the story of the young Saxon nobleman (Flynn) who created a band of outlaws to protest against the reign of Prince John (Claude Rains) in England during the early 1190s. With King Richard the Lionhearted (Ian Hunter) a hostage of Austria’s king, John usurps the royal power to oppress the English poor – especially the Saxons – with the help of Sir Guy Gisbourne (Basil Rathbone) and the Sheriff of Nottingham (Melville Cooper). Robin and his right hand man, Will Scarlett (Patric Knowles), recruits the likes of Little John (Alan Hale,...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"MILDRED PIERCE" (1945) Review

I have been a shabiki of the 1945 movie, "MILDRED PIERCE" for years. Ever since the age of twelve. But many years have passed since I felt the urge to watch it. When I learned about the hivi karibuni HBO version of the story, I decided to re-visit the past and watch the movie again.

Based upon James M. Cain’s 1941 novel, "MILDRED PIERCE" is about a middle-class woman who struggle to make a new life for herself and her daughters and maintain their social position, following the break-up of her marriage during the last years of the Great Depression. After a difficult tafuta Mildred finds a job as a waitress, but she worries that it is beneath her middle-class station. zaidi than that, she worries that her ambitious and increasingly pretentious elder daughter, Veda, will view her new job as demeaning. Mildred encounters both success and failure as she opens a chain of successful restaurants, operates a pie-selling business and copes with the death of her younger daughter, Kay. Veda enjoys her mother's newfound financial success but turns increasingly ungrateful and demanding, while openly condemning Mildred for becoming a...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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Below is my review of the 1939 classic, "STAGECOACH", which was directed kwa John Ford:


"STAGECOACH" (1939) Review

The mwaka 1939 is regarded kwa many film critics and moviegoers as the best mwaka for Hollywood films. According to them, Hollywood was at the height of its Golden Age, and this particular mwaka saw the release of an unusually large number of exceptional movies, many of which have been honored as memorable classics when multitudes of other films of the era have been largely forgotten. I do not harbor the same view as these critics and moviegoers. I can only view at least a handful of 1939 sinema as truly worthwhile movies. However, one of those sinema happened to be John Ford’s 1939 classic, "STAGECOACH".

Written kwa Dudley Nichols and Ben Hecht, "STAGECOACH" was an adaptation of Ernest Haycox’s 1937 short story, "The Stage to Lordsburg". It told the story of a group of strangers in 1880, traveling kwa stagecoach through dangerous Apache territory from Tonto in the Arizona Territory to Lordsburg in New Mexico Territory. Among the group of people traveling together are:
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"LAURA" (1944) Review

When I had first saw the 1944 murder mystery, "LAURA", I felt inclined to read the 1943 Vera Caspary novel it was based upon. Needless to say, Caspary's novel seemed adequate. But I found myself preferring Otto Preminger's film adaptation a lot more.

Surprisingly, Preminger had not been the first choice as the movie's director. Producer William Goetz, uigizaji as 20th Century Fox's studio head in Darryl Zanuck’s absence, allowed Preminger to act as the film’s unit producer. When Zanuck returned to the studio, he expressed a lukewarm attitude toward the project. And he DID NOT want Preminger to act as the film’s director. Instead, Rouben Mamoulian was hired as the director. The latter proved to be a bust. Mamoulian wanted Laird Cregar, instead of Clifton Webb in the role of columnist Waldo Lyedecker. Nor did he seem to be utilizing the cast very well. In the end, Preminger convinced Zanuck and Goetz to allow him to direct the film. And the rest, as one would say, is history.
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"PLATINUM BLONDE" (1931) Review

For over seven decades, many movie mashabiki and critics have ignored the 1931 comedy, "PLATINUM BLONDE". They have dismissed it as some mediocre, obscure film from the early talkies period deemed unworthy of any real film criticism. But due to hivi karibuni interest in that particular era, the film’s reputation has grown over the past several years.

Directed kwa Frank Capra and written kwa Jo Swerling, "PLATINUM BLONDE" is a romantic comedy about a newspaper reporter named kitoweo, mchuzi Smith, who becomes romantically involved with Ann Schuyler, a wealthy young socialite, after uandishi an expose about one of her brother’s romances. Unaware of the romantic feelings of a female colleague named Gallagher for him, the reporter marries the socialite. However, both kitoweo, mchuzi and Ann ending up assuming that the other is the one whose lifestyle must change.

Personally, I believe that "PLATINUM BLONDE" is a decent effort kwa Frank Capra during the early period of sound. Swerling’s script provided an interesting and comic portrayal of a marriage doomed kwa the couple’s class differences and their own arrogance. Surprisingly, I...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"CAPTAIN BLOOD" (1935) Review

Based upon the 1922 novel of the same name kwa Rafael Sabatini, the story of "CAPTAIN BLOOD" centered around an Irish-born physician living in an English town, who finds himself in trouble with the Court of King James II after aiding a wounded friend who had participated in the Mounmouth Rebellion of 1685. The 1935 film, released kwa Warner Brothers and First National Pictures, featured the first collaboration between stars Errol Flynn and Olivia De Havilland, and director Michael Curtiz.

When Jack Warner and studio production chief, first made plans to film Sabatini’s novel, they had planned for British actor, Robert Donat to portray the Irish-born doctor turned slave and pirate. But Donat proved to be unavailable and the then unknown Flynn ended up with the role. As everyone knows, not only did ”CAPTAIN BLOOD” prove to be a hit, the movie made instant stars out of Flynn and De Havilland.

Many years have passed since I last saw ”CAPTAIN BLOOD”. Which would explain why I have never developed any strong feelings for this particular film, in compare to certain other Errol Flynn movies. After...
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Review by DR76 posted zaidi ya mwaka mmoja uliopita
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"THE DIVORCEE" (1930) Review


I just watched "THE DIVORCEE" last night. This 1930 MGM film tells the story of a happily married couple, whose marriage crumbles under the taint of infidelity. This is the sekunde time I have seen this film and again, found myself surprised at how much I enjoyed it.

Norma Shearer portrayed Jerry Martin, a happily marrried New York socialite, who discovers that her husband, Ted (Chester Morris), had a drunken one night stand with some blowsy woman. She tried to pretend that it was bridge under the water and openly forgave him. But his infidelity continued to bother her. And when he leaves New York for a business trip to Chicago, she has a one night stand with his best friend, Don (Robert Montgomery). Jerry confesses her infidelity . . . and discovers that as far as Ted is concerned, what was good for the goose, was not for the gander. The couple divorces and spends an unhappy mwaka trying to forget one another. They eventually reconcile at a party in Paris.
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Opinion by storkclub posted zaidi ya mwaka mmoja uliopita
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Biography of Bert Lahr, Vintage Hollywood Actor

On August 13, 1895, Bert Lahr was born. His parents weren't wealthy, and the family grew up in poverty. Bert's aliyopewa name was Irving Lahrheim. He later changed it for onyesha business. Lahr was not long for school, dropping out at an early age. Through vaudeville shows, Lahr was able to learn enough to get involved with other young people imba & performing on the streets. His baritone voice was a welcome addition to the acts he joined early on in his career. Lahr's specialty became depicting comedic roles in Burlesque shows. Lahr was on a roll. He continued playing comedic characters until one night he was discovered kwa a famous producer of the time, Blutch Cooper. The producer put Lahr in The Best onyesha in Town . It was in this performance that Lahr perfected his comedic uigizaji prowess.

Lahr's career really took off in 1927 when went to Broadway, with a part in Harry Delmar's Revels. Over the inayofuata few years, Lahr lent his comedic talents to shows such as Hot-Cha (1932), Life Begins At 8:40 (1934) and Scandals (1936). But all of the adulation earned on Broadway wasn't enough. So in 1938, he took the plunge...
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