After an upbringing in New Zealand and a spell uigizaji in her own country,Nyree Dawn Porter made London her home.Interview kwa Alan O'Kelly.
Nyree Dawn Porter made her first stage appearance at the age of 3.Playing the part of a ladybird in an amateur production of Noah's Ark,she walked onto the stage and into the lights to delighted applause and laughter.
'It stopped me dead and instead of joining the other performers I walked down to the front of the stage to find out what that noise was.'
'That noise' has Charmed her ever since and in a long,successful career,both on the theatre stage and on television,she has received plenty of it.
Nyree was born on the north island of New Zealand.Her father was a butcher who later became a developer and a businessman.She was aliyopewa the Maori name of Ngaire which was later changed to its present English form as nobody could pronounce it.
Nyree speaks lovingly of her father Ken,who was warm and affectionate and loved muziki passionately.For a long time she was an only child,but when her sister,Merle Isabel,came along,the happy family should have been complete.
Sadly,that didn't happen.'My parents were like oil and water,'explains Nyree.'They simply couldn't live together.My father's work kept him away from nyumbani but I think it was partly because he found it difficult to live with my mother.'
As a result,Nyree remembers her childhood as being sad but productive.She has a nervous stammer and was so shy and quiet that her teachers became extremely worried about her.She found her release through books,paiting and ballet.
'I didn't like school and I spent most of my time in my head.One of the teachers noticed that.She'd say,'I'm not going to repeat that for Nyree Porter because she's not listening anyway.No doubt she'll let me have the sketch she's doing under the desk.'
A teacher named Jim Goodall came to her rescue kwa encouraging her to do well and kwa making her president of the drama club.A sekunde influential person was another teacher,who had spent a lot of time in England and France.The teacher's enthusiasm helped Nyree to use her natural gift for French and she also encouraged Nyree to act.
kwa the time she left school,Nyree has passed all the required exams for teaching ballet.She had her own dance studio and enjoyed her work.But something told her that at some stage she would have to leave New Zealand to find full satisfaction.
'I was uigizaji in a local amateur production when a woman came to my dressing room and asked me if I had ever considered uigizaji as a career.She was the wife of a leading actor at the New Zealand National Theatre.Her car had broken down outside and that was the only reason she had come it.She arranged for me to try for a role in an American comedy called The Solid dhahabu Cadillac.'
Against hundreds of other actors,Nyree was aliyopewa the part.She had no hesitation in giving up everything to act and within 2 years had been brought to England kwa a famous film producer.
'I upendo London and my lucky break came when I was aliyopewa a letter of introduction to Hazel Vincent Wallace at the Leatherhead Theatre.I got a job in a Chrismas show,both uigizaji and dancing.'
Nyree Dawn Porter has adopted England,and England has adopted her,too.She has lived in England ever since,although she does visit her old nyumbani and regularly works in Australia.
Nyree Dawn Porter made her first stage appearance at the age of 3.Playing the part of a ladybird in an amateur production of Noah's Ark,she walked onto the stage and into the lights to delighted applause and laughter.
'It stopped me dead and instead of joining the other performers I walked down to the front of the stage to find out what that noise was.'
'That noise' has Charmed her ever since and in a long,successful career,both on the theatre stage and on television,she has received plenty of it.
Nyree was born on the north island of New Zealand.Her father was a butcher who later became a developer and a businessman.She was aliyopewa the Maori name of Ngaire which was later changed to its present English form as nobody could pronounce it.
Nyree speaks lovingly of her father Ken,who was warm and affectionate and loved muziki passionately.For a long time she was an only child,but when her sister,Merle Isabel,came along,the happy family should have been complete.
Sadly,that didn't happen.'My parents were like oil and water,'explains Nyree.'They simply couldn't live together.My father's work kept him away from nyumbani but I think it was partly because he found it difficult to live with my mother.'
As a result,Nyree remembers her childhood as being sad but productive.She has a nervous stammer and was so shy and quiet that her teachers became extremely worried about her.She found her release through books,paiting and ballet.
'I didn't like school and I spent most of my time in my head.One of the teachers noticed that.She'd say,'I'm not going to repeat that for Nyree Porter because she's not listening anyway.No doubt she'll let me have the sketch she's doing under the desk.'
A teacher named Jim Goodall came to her rescue kwa encouraging her to do well and kwa making her president of the drama club.A sekunde influential person was another teacher,who had spent a lot of time in England and France.The teacher's enthusiasm helped Nyree to use her natural gift for French and she also encouraged Nyree to act.
kwa the time she left school,Nyree has passed all the required exams for teaching ballet.She had her own dance studio and enjoyed her work.But something told her that at some stage she would have to leave New Zealand to find full satisfaction.
'I was uigizaji in a local amateur production when a woman came to my dressing room and asked me if I had ever considered uigizaji as a career.She was the wife of a leading actor at the New Zealand National Theatre.Her car had broken down outside and that was the only reason she had come it.She arranged for me to try for a role in an American comedy called The Solid dhahabu Cadillac.'
Against hundreds of other actors,Nyree was aliyopewa the part.She had no hesitation in giving up everything to act and within 2 years had been brought to England kwa a famous film producer.
'I upendo London and my lucky break came when I was aliyopewa a letter of introduction to Hazel Vincent Wallace at the Leatherhead Theatre.I got a job in a Chrismas show,both uigizaji and dancing.'
Nyree Dawn Porter has adopted England,and England has adopted her,too.She has lived in England ever since,although she does visit her old nyumbani and regularly works in Australia.
I sat alone.
No one came up to me, none asked if anything was wrong.
I sat alone.
In the corner, where everyone saw but no one noticed.
I sat alone.
I had no friends, I was not ‘cool’ enough for them.
I sat alone.
No one knew my mother had just died from cancer, no one cared.
I sat alone.
Surrounded kwa my thoughts, but no people. kwa my words, but no friends.
I sat alone.
Until a girl came and sat kwa me.
I sat with a girl.
She turned to me and smiled warmly, “Hello.”
I sat with a friend.
No one came up to me, none asked if anything was wrong.
I sat alone.
In the corner, where everyone saw but no one noticed.
I sat alone.
I had no friends, I was not ‘cool’ enough for them.
I sat alone.
No one knew my mother had just died from cancer, no one cared.
I sat alone.
Surrounded kwa my thoughts, but no people. kwa my words, but no friends.
I sat alone.
Until a girl came and sat kwa me.
I sat with a girl.
She turned to me and smiled warmly, “Hello.”
I sat with a friend.
On a foggy siku ,
Following the light ,
Running far away .
There was a little car ,
Driven kwa two children ,
Made out of plastic and gum ,
With a fake license number .
And the car was the product
Of one’s imagination,
It was the guide through the forest
Of his life’s interpretation.
And the forest was dark
And hunted kwa Mbwa mwitu loups ,
Full of tears and pain
And of smiles went to vain.
And this kid was an orphan,
Slowly rushing through life ,
Searching for his mother ,
Waiting to be held tight.
He is Lost and scared ,
Yet unstoppable ,
Cause all his life he’s spent
Walking through that forest.
We ain’t all lucky and rich
au have families.
The truth is we only have ourselves,
To make our own journies.
This orphan’s an example
For those who don’t know ,
That that forest is the rode
We all have to go on .
1st Person = I, we, me, us, my, mine, our, ours. 2nd Person = you, your, yours. 3rd Person = he, she, it, they, him, her, it, them, his, her, hers, it, their, theirs.
First person uandishi is when the characters is speaking directly toward another person(You). wewe use words like "I", "Mine", "We", "Us." The character is telling the story to wewe themselves.
Second Person
Third person is the exact opposite. Instead of the character talking to you, the narrator is talking about the character. Your main words are "You", and "Your."
Third Person
Third person is almost similar to sekunde person. The narrator is talking to you, but instead they use words like "He", "She", "It", and "They." Third person vitabu often have the most detail.
For zaidi detailed descriptions, go to: link
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