Paula Becker cut her teeth on Archie comics, Mad magazine and the daily “funnies.”
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His themes range from Greek mythology to Medieval folklore to classic literature. Whatever epoch he happens to be immersed in, sci-fi ndoto artist John Blumen draws from an endless cultural well to craft his realistic illustrations.
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Laura Williams dropped us an barua pepe to tell us about her interview in DPI magazine this month. Based in Taiwan, DPI is devoted to cutting edge illustration, design, gaming and toy industry culture worldwide.
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Lin Wang’s illustrations have a Renaissance painting look, saturated and muted color. She applies multiple layers of watercolors to create a rich, warm, dramatic feeling.
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Illustrator Claudine Hellmuth combines vintage picha with quirky line work to create her new series of "Gal Pals" everyday cards for Amber Lotus Publishing. The look is fun, flirty and whimsical-with-edge. Peep ‘em!
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Earl’s the little voice in your head that nixes all those ad messages that bombard us daily. Illustrator/animator Richard Borge has brought him to life in a branding campaign for regional upstart Alabama ad agency LUCKIE. Meet Earl here.
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Beppe Giacobbe was kind enough to share both finished spreads from the book as well as some of his sketches in their rawest and most elementally canine form.
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Wrigglesworth works largely in a combination of paint, collage, and digital media. “I upendo living in places that begin with the letter B and so far have lived in Burnley, Bristol, Berlin and Brighton,” says he.
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Bailey’s palette consistently relies on the rich saturated Kodachrome colors Paul Simon once sang of. Indeed, she tends to portray her subjects in a very photographic manner, always observing how light moves through her compositions.
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Ben’s illustrations are recognized internationally by: The Art Director's Club of New York, American Illustration, Prospects, Juxtapoz, Applied Arts, the Association of Illustrators, Creativity, Coupe, Graphis and the D&AD.
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