#1: pink Floyd - Young Lust:
Pink, the main character of THE ukuta album.
Has achieved wealth and fame, and is usually away from home, due to the demands of his career as a touring performer. He is having casual sex with groupies to relieve the tedium of the road, and is living a separate life from his wife.

The end of the song is a segment of dialogue between pink and a telephone operator, as pink twice attempts to place a transatlantic collect call to his wife. A man answers, and when the operator asks if he will accept the charges, the man simply hangs up. This is how pink learns that his wife is cheating on him. ("See, he keeps hanging up," says the operator. "And it's a man answering!") With this betrayal, his mental breakdown accelerates.

The dialogue with the operator was the result of an arrangement co-producer James Guthrie made with a neighbour in London, while the album was being recorded in Los Angeles. He wanted realism, for the operator to actually believe they had caught his wife having an affair, and so didn't inform her she was being recorded. The operator heard in the recording is the sekunde operator they tried the routine with, after the first operator's reaction was deemed unsatisfactory.

On the album, he is already unfaithful to his wife while on tour, making him a hypocrite when he is appalled at her own faithlessness. In the film, he is only seen with a groupie after he learns of his wife's affair, which shows the character in a zaidi sympathetic light.


#2: pink Floyd - Run Like Hell/Waiting for the worms.

Run like hell isn't exactly the "fun song" wewe may listen to it as.
The song is written from the point of view of anti-hero Pink, an alienated and uchungu, chungu rock star, during a hallucination in which he becomes a fascist dictator and turns a tamasha audience into an angry mob. The lyrics are explicitly threatening, directed at the listener, one with an "empty smile" and "hungry heart", "dirty feelings" and a "guilty past", "nerves in tatters" as "hammers batter down your door." Even the act of lovemaking is doomed, for "if they catch wewe in the back kiti, kiti cha trying to pick her locks", the results will be fatal. Although the lyric "You better run like hell" appears twice in the liner notes, the title is never actually sung; each verse simply concludes with "You better run".

This scene is continued in WAITING FOR THE WORMS.
Through a megaphone, he barks strident, racist invective ("Waiting to put on a black shati . . . for the queens and the coons and the reds and the Jews"). After an extended rant, Gilmour's calmer voice returns, chuckling warmly with the promise that his followers will "see Britannia rule again" and "send our coloured cousins nyumbani again," with Waters concluding "All wewe need to do is follow the worms!"


#3: Another brick in the ukuta - pink Floyd:
After being insulted kwa the teacher, pink dreams that the kids in his school begin to protest against their abusive teachers.

In the film.
He imagines several students marching in unison to the beat of the song, following a path until they enter a steamy tunnel section to re-emerge as putty-faced clones void of individual distinction and proceed to fall blindly into an oversized meat-grinder. Starting with Gilmour's guitar, gitaa solo, the children destroy the school building using hammers (foreshadowing the subsequent neo-fascist Nazi-like animated sequence with its marching hammers) and crowbars, creating a bonfire, dragging their teacher out of the burning school kicking and screaming while chanting "We don't need no education." The song ends with pink rubbing his hand, which the teacher slapped with a ruler in the song previously.


#4: Hollywood Undead - Bullets:
The song has received positive reviews from critics due to its cheerful tone and uptempo beat that directly contrast its dark lyrics about suicide and self-harm.


#5: pink Floyd - The Trial:
The song centres on the main character, Pink, who having lived a life filled with emotional trauma and substance abuse has reached a critical psychological break. "The Trial" is the fulcrum on which Pink's mental state balances. In the song, pink is charged with "showing feelings...of an almost human nature". This means that pink has committed a crime against himself kwa actually attempting to interact with his fellow human beings. Through the course of the song, he is confronted kwa the primary influences of his life (who have been introduced over the course of the album): an abusive schoolmaster, his wife, and his overprotective mother. Pink's subconscious struggle for sanity is overseen kwa a new character, "The Judge". In pink Floyd The Wall, and the tamasha animations, the Judge is a giant worm for most of the song until his verse, at which point he transforms into a giant pair of buttocks (bigger than the marching hammers in "Waiting for the Worms"). A prosecutor conducts the early portions, which consist of the antagonists explaining their actions, intercut with Pink's refrain, "Crazy/Toys in the attic, I am crazy". The culmination of the trial is the judge's sentence for pink "to be exposed before your peers" whereupon he orders pink to "Tear down the wall!"


#6: Baby it's cold outside - Frank Losser:
As a duet, the lyrics form a conversation with interjections kwa the "wolf" cause some interaction between the vocalists. In hivi karibuni years, there has been criticism of the song, stemming from a modernistic kusoma of the wolf/mouse dynamic as being sexually predatory.[5] Some commentators perceive the lyrics as the "mouse" as genuinely wanting to leave but being stopped kwa the "wolf" being coercive in his pleading. These readers cite certain lines as being questionable, including "I simply must go", "The answer is no", "I've got to go home".


#7: P!nk - Family Protrait
P!nk tells about her troubled childhood.


#8: Third eye blind - Semi Charmed life:
Third Eye Blind ruled the summer of 1997 with their smash hit 'Semi-Charmed Life.' The super fast vocal delivery kwa frontman Stephan Jenkins on this insanely infectious song makes the lyrics somewhat difficult to understand, but if wewe listen closely, you'll start to notice some seriously depressing stuff. 'Semi-Charmed Life' is all about the downfall caused kwa drug abuse, specifically crystal meth, and the depravity that comes with it. On the sekunde verse, Jenkins sings, "The sky was gold, it was rose / I was taking sips of it through my nose / And I wish I could get back there, someplace back there / Smiling in the pictures wewe would take / Doing crystal myth will lift wewe up until wewe break."


#9: Nickelback - Too Bad:
It may SOUND pleasant.
The song is about domestic violence from a child's point of view.


#10: Avenged Sevenfold - Little piece of heaven:
The unnamed protagonist of Avenged Sevenfold's song, "A Little Piece of Heaven" is also the villain of the song. He proposes to his girlfriend, and she rejects him. This causes him to snap and stab her 50 times. While stabbing her to death, he also rips her moyo out. Once his girlfriend is dead, the man has sex with her corpse and then eats her heart. While the man is watching television, he keeps his girlfriend's body in an open wooden casket decorated with pictures of the two together. Her body inexplicably comes to life (the lyrics imply that the girlfriend's soul repossesses her body because she is angry with him for defiling it), and the man runs away in fear. He runs down the road as his now zombified girlfriend chases him in a car. He accidentally runs into her in a graveyard and she pierces his chest with her hand. She pulls out his moyo and eats it, and then does everything to him that he had previously done to her. He then comes back as a zombie and vows to make it up to his girlfriend. He goes to a church, where a wedding is taking place. He uses a chainsaw to kill everyone at the wedding, except for the preacher, and the man and his girlfriend get married.