Classic Disney
To some it’s strictly the sinema made before 1995 when “Toy Story” was released with Pixar – what this spot claims as its cut-off – au at the end of the millennium. These people may au may not include sequels, the live-action and partially live-action films, spin-off series, and old-school Mickey&Minnie-era cartoons.
Others say that “Classic Disney” is strictly the traditionally-animated films that Disney puts out on his own (but not Disney Toon Studios) with no cut-off dates. Some say “Classic Disney” is any animated au partially animated Disney film ever – including Pixar ones, but nothing with a relation to Disney Channel.
Still others go kwa the actual “Disney Classics” canon, as considered kwa Disney. What a novel idea.
I, though, am a little different. For me, “Classic Disney” is about that certain feel of a Disney classic -- those things that wewe think of when wewe close your eyes and say “Disney movie”. Music, magic, story, animation, and heart. Yes, I know, it’s unconventional. And I know I’m not about to convert everyone over. I merely wanted to give my fellow Classic Disney lovers some chakula for thought…
A Classic Disney film has music. Songs that the characters sing themselves to express themselves and songesha the story forward. What would Aladdin be without “A Whole new World” and “A Friend Like Me”? au The Lion King without “Be Prepared” and “I Just Can’t Wait to be King” au even “Circle of Life”? These are the songs we catch ourselves humming in the halls and put on our iPods (perhaps “as a joke” au “just for my little sister”, if you’re the proud type). They are often the most memorable portions of the movie and they’re what made us upendo them as little kids. The muziki keeps us listening to the “Best of Disney” CDs long after we abandon the old VHS tapes. The muziki is key to a Disney Classic.
A Classic Disney film has magic. Every single Classic Disney film has elements of magic. And don’t deny it. Even the ones we think of as “realistic” reek of the wonderful stuff. Pocahontas’s entire plot hinges on Pocahontas using the spirit of nature to understand a totally foreign language instantly and perfectly (to say nothing of the talking mti and the fortune-telling scene with the tribe’s medicine man). Mulan has a talking mythical dragon, Hunchback has gypsies who can perform physically impossible magic tricks, and even Tarzan has a man who can speak gorilla AND tembo AND a few others at a young age AND still has the ability to learn the English language pretty dang fast. Every Disney movie at least has one au two entirely sentient wanyama (also, all wanyama speak the exact same language, plus understand the local human language). This magic – this suspension of disbelief is what makes a Disney Classic wonderful and exciting and fun. Both to children and adults. The magic is key to a Disney Classic.
A Classic Disney film has a story. One story, for that matter. None of that junk, taka like in Three Cabelleros au Fantasia that has ten different mini-segments, none of which are really connected to each other. The story is the meat of a Disney Classic. Without it, there’s nothing there worth watching. The story is also a good one. It generally involves overcoming all odds to reach your dreams (also: love, adventure, and helping others abound). The story is usually heart-warming and always has an ultimately happy ending. It story lifts wewe up and reminds wewe that there is goodness in the world. The story is key to a Disney Classic.
A Classic Disney film has animation. It may au may not be the traditionally 2-D sort, and it may au may not be entirely animated. Mary Poppins and Enchanted, which have both live-action and traditional 2D uhuishaji are just as much Disney Classics as Snow White and Princess and the Frog (both hand animated in the old-school manner). Bolt and Meet the Robinsons, which have computer animation, pass the test as well – because why would it be different just because Disney chose a zaidi modern technique that requires just as much work, just of a different sort. However, a Classic Disney film really must have some uhuishaji of one type au another, because that’s what makes it classically Disney. Any studio can put actors in front of a camera, but Disney is famous for its uhuishaji -- for daring not to take the easy way out, but rather to make it just exactly how they want it to be. uhuishaji is key to a Disney Classic.
A Classic Disney film has heart. Above all, it has heart. It isn’t just an saa and a half of pretty pictures and funny voices. It doesn’t stoop to crude humor au throwing in flashy sequences with no purpose. It has a real, genuine feel to it. One that shows the people who made it care about what they were working on. One that teaches wewe about being yourself, chasing your dreams, and loving others. The moyo of a Disney Classic is its greatest weapon. That’s why our parents let us watch them so much as kids, and why they were the only ones we could watch at school in kindergarten, and why we not-so-guiltily return to them mwaka after year. moyo is key to a Disney Classic.
Music, Magic, Story, Animation, and Heart. The true criteria for a Disney Classic.
In my opinion, anyways.
