Action scenes: In Baby Doll's head, when she's asked to perform an "alluring" dance, in a way to escape reality.
Dance: "Let everything go." = dissociate. Action scene vaguely reflects reality.
Baby Doll's body: What she wears during her ndoto sequences reminds everyone how she is being used for her body.
Wise Man: He will lead her to her "freedom." He knows the through that whilst she fights for liberty, he is leading her towards a labotomy.
Action scene #1: Japan.
Action scene #2: Germany.
White Rabbit song: Mind control context... "One pill makes wewe larger / And one pill makes wewe small / And the ones that mother gives wewe / Don't do anything at all / Go ask Alice / When she's ten feet tall / And if wewe go chasing rabbits / And wewe know you're going to fall / Tell 'em a hookah smoking caterpillar / Has aliyopewa wewe the call / Call Alice / When she was just small / When men on the chessboard / Get up and tell wewe where to go / And you've just had some kind of uyoga / And your mind is moving slow / Go ask Alice / I think she'll know / When logic and proportion / Have fallen sloppy dead / And the White Knight is talking backwards / And the Red Queen's "off with her head!" / Remember what the dormouse said: / "Feed your head"." The girls ride a "mech" with the symbol of a white rabbit on it.
Baby Doll's goal: "Leave this place" and "be free." Deceitful double-speech. "Going to paradise." Dissociation from reality = "freedom" and "paradise." Labotomy = "be free." The doctor who performed the lobotomy: "Did wewe see the way she looked at me? Just in that last moment. It was like... she wanted me to do it."
Sweet Pea's "freedom": As Sweet Pea's getting on the bus, a boy looks at her... a boy who was in one of the action scenes. Since the action scene was imaginary, is Sweet Pea's escape also imaginary? The driver is Wise Man and he tells her to get on because she has "a long way to go" -- to "freedom" au to "paradise"? The bus passes a billboard saying "Paradise Diner."
Dance: "Let everything go." = dissociate. Action scene vaguely reflects reality.
Baby Doll's body: What she wears during her ndoto sequences reminds everyone how she is being used for her body.
Wise Man: He will lead her to her "freedom." He knows the through that whilst she fights for liberty, he is leading her towards a labotomy.
Action scene #1: Japan.
Action scene #2: Germany.
White Rabbit song: Mind control context... "One pill makes wewe larger / And one pill makes wewe small / And the ones that mother gives wewe / Don't do anything at all / Go ask Alice / When she's ten feet tall / And if wewe go chasing rabbits / And wewe know you're going to fall / Tell 'em a hookah smoking caterpillar / Has aliyopewa wewe the call / Call Alice / When she was just small / When men on the chessboard / Get up and tell wewe where to go / And you've just had some kind of uyoga / And your mind is moving slow / Go ask Alice / I think she'll know / When logic and proportion / Have fallen sloppy dead / And the White Knight is talking backwards / And the Red Queen's "off with her head!" / Remember what the dormouse said: / "Feed your head"." The girls ride a "mech" with the symbol of a white rabbit on it.
Baby Doll's goal: "Leave this place" and "be free." Deceitful double-speech. "Going to paradise." Dissociation from reality = "freedom" and "paradise." Labotomy = "be free." The doctor who performed the lobotomy: "Did wewe see the way she looked at me? Just in that last moment. It was like... she wanted me to do it."
Sweet Pea's "freedom": As Sweet Pea's getting on the bus, a boy looks at her... a boy who was in one of the action scenes. Since the action scene was imaginary, is Sweet Pea's escape also imaginary? The driver is Wise Man and he tells her to get on because she has "a long way to go" -- to "freedom" au to "paradise"? The bus passes a billboard saying "Paradise Diner."
Tyler Bates is the muziki producer for Sucker Punch. With zaidi than 49 films and 17 years scoring movies, film composer Tyler Bates is at the forefront of innovation in film music. Bates continuously provides ambient electronic textures, intoxicating vocal melodies and driving hypnotic rhythms, including the new rock n' roll themed soundtrack for Conan The Barbarian, releasing on August 16.
His work has appeared in countless sinema and televisheni shows: The siku the Earth Stood Still, Showtime's hit series Californication, Dawn of the Dead, Halloween, Slither and The Devil's Rejects, 300 & Watchmen. He's also composed for numerous videogames such as Army of Two: The 40th siku and Activision's Transformers.
Bates will engage in a discussion with the GRAMMY Museum's Executive Director Bob Santelli, and will take maswali from the audience and instruct a live composing demonstration.
Monday, August 15th 2011 8pm
Doors Open at 7:30PM
Tickets available at grammymuseum.org
His work has appeared in countless sinema and televisheni shows: The siku the Earth Stood Still, Showtime's hit series Californication, Dawn of the Dead, Halloween, Slither and The Devil's Rejects, 300 & Watchmen. He's also composed for numerous videogames such as Army of Two: The 40th siku and Activision's Transformers.
Bates will engage in a discussion with the GRAMMY Museum's Executive Director Bob Santelli, and will take maswali from the audience and instruct a live composing demonstration.
Monday, August 15th 2011 8pm
Doors Open at 7:30PM
Tickets available at grammymuseum.org