The Hobbit Club
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QUESTION: Can wewe talk about when wewe first met Peter Jackson and his collaborators, and how wewe came to write the song I See moto for the film?

ED SHEERAN: I first met Peter in March. I did a onyesha in Wellington and his daughter, Katie, came down. Then I was invited around for lunch the inayofuata day, we hung out, and it was fun. About six months later, I got a call asking if I wanted to be involved in the end credit song. So I instantly got a plane to New Zealand, met everyone that was involved in the film and watched the film. Then I wrote the song.

QUESTION: What was your reaction when wewe saw the movie and what inspired wewe about the story that wewe infused into your song?

ED SHEERAN: The movie was incredible. It kind of stepped up from the first one, and every other The Lord of the Rings film that I’ve seen in terms of special effects. But the story, at the end, just got so intense. The way that it ends on that cliffhanger, I wanted to write a song that eased the audience back into non-Hobbit land, I guess, and calms them a little bit.

QUESTION: What kinds of emotions were wewe hoping to evoke with this song?

ED SHEERAN: I was just trying to ease the audience back into reality and calm it a little bit after the intense ending. But the motive element of it was that I was uandishi from the point of view of being Thorin Oakenshield, and what he would be thinking. I couldn’t really write from a fan’s perspective; I had to write from a character in the film’s perspective.

QUESTION: Do wewe have a inayopendelewa character au a character that particularly resonates with you?

ED SHEERAN: Legolas just is a badass part. If you’re going to have any part in a film, you’d want it to be that, because he’s just badass. But my inayopendelewa character in it is probably Bard, that Luke Evans plays.

QUESTION: wewe played all the instruments in the song, including the violin, which you'd never played before. Is that right?

ED SHEERAN: I’ve never played violin before. It’s similar to a guitar, I guess. wewe just bow it, and I knew exactly what I wanted it to sound like. We got a violin player in, but he didn’t get it right, so yeah, I thought I’d attempt to doing it myself.

QUESTION: Can wewe talk about the process of how wewe ultimately put it together?

ED SHEERAN: Well, I worked out how I was going to approach it first--to have it start off completely a capella--and finish in a big kind of crescendo. Then I wrote it on the guitar, gitaa and added all the instruments to it after that.

QUESTION: And wewe wrote and recorded the song directly after seeing the movie?

ED SHEERAN: I saw the movie at 7 AM. I went into the studio at a 11 AM and I finished the song kwa 6 PM.

QUESTION: How did wewe find the creative experience of working with Peter, Fran Walsh and Philippa Boyens?

ED SHEERAN: Oh, it was a great experience with Peter, Fran and Philippa. It was brilliant. They kind of let me do my own thing and would come in at different points just to hear it and give notes au to say, like, 'Yo, could wewe be zaidi reflective of this feeling that Thorin would have had?' It was fun. But they kind of let me do my own thing.

QUESTION: Can wewe tell us how wewe first experienced The Hobbit book and Peter Jackson's The Lord of the Rings films?

ED SHEERAN: Well, The Hobbit was the first book that I ever read. So I’ve always kind of been a kind of massive Tolkien fan. The Lord of the Rings films came out when I was ten, so it was just being a ten-year old and having that sort of thing on at krisimasi was obviously an ideal situation.

QUESTION: How long have wewe been imba and uandishi music?

ED SHEERAN: I’ve been imba and uandishi muziki for eleven years now. I started taking it seriously six years ago. And, yeah, it seems to be going well.

QUESTION: What was it about muziki that resonated with wewe and just made wewe so interested?

ED SHEERAN: I like the escapism with it. wewe can be in a bad place and be able to write a song and instantly be out of that bad place au be in a bad place and listen to a song and be instantly in a good place. It’s a good way of escaping things.

QUESTION: And wewe have worked with some huge acts like Taylor mwepesi, teleka and One Direction. Can wewe tell me a little bit about that?

ED SHEERAN: Well, I wrote some songs for One Direction’s first and sekunde album. That was kind of an amazing thing, but with Taylor, we collaborated on a song together and went out on tour with each other. That was a very, very fun year, and a very educational mwaka as far as how the American industry works.
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