Dear Frozen,
Thank you. Thank wewe for being pretty much the only realistic portrayal of upendo in mainstream media in the last- oh, I don’t know- at least five years.
Thank wewe for inaonyesha that Hans, the handsome gallant prince of the Southern Isles who seemed a perfect match for Anna is fallible. Thank wewe for inaonyesha that the idea of a “one perfect match” isn’t necessarily realistic. Thank wewe for inaonyesha us that upendo is like with Kristoff, how everyone has their rough edges, how no one can fit the mold of perfection. Thank wewe for reminding us that “everyone’s a bit of a fixer-upper, that’s what it’s all about!” And, especially, thank wewe for saying clearly that “people don’t really change.” Thank wewe for being so clear in that upendo is about accepting people, especially their flaws, and not finding someone who fits an ideal.
But most of all, thank you, Olaf, for giving pretty much the only sane definition of upendo any media has aliyopewa in too, too long. Thank wewe for telling us “Love is putting someone else’s needs before yours” in an age of “The best upendo of all is loving yourself,” “You have to upendo yourself before wewe can upendo others,” and “You have to provide for yourself before wewe can provide for someone else.” Thank wewe for reminding us that upendo is selfless. Thank wewe for the fact that little boys and girls will watch Frozen and hear that upendo is about consciously making someone else zaidi important and not about making sure you’re fulfilled above all else. Thank wewe for the truth wewe gave us that the world has tried so hard to deny. Thank wewe for reminding us that upendo is, above all, sacrifice.
Thank you. Thank wewe for being pretty much the only realistic portrayal of upendo in mainstream media in the last- oh, I don’t know- at least five years.
Thank wewe for inaonyesha that Hans, the handsome gallant prince of the Southern Isles who seemed a perfect match for Anna is fallible. Thank wewe for inaonyesha that the idea of a “one perfect match” isn’t necessarily realistic. Thank wewe for inaonyesha us that upendo is like with Kristoff, how everyone has their rough edges, how no one can fit the mold of perfection. Thank wewe for reminding us that “everyone’s a bit of a fixer-upper, that’s what it’s all about!” And, especially, thank wewe for saying clearly that “people don’t really change.” Thank wewe for being so clear in that upendo is about accepting people, especially their flaws, and not finding someone who fits an ideal.
But most of all, thank you, Olaf, for giving pretty much the only sane definition of upendo any media has aliyopewa in too, too long. Thank wewe for telling us “Love is putting someone else’s needs before yours” in an age of “The best upendo of all is loving yourself,” “You have to upendo yourself before wewe can upendo others,” and “You have to provide for yourself before wewe can provide for someone else.” Thank wewe for reminding us that upendo is selfless. Thank wewe for the fact that little boys and girls will watch Frozen and hear that upendo is about consciously making someone else zaidi important and not about making sure you’re fulfilled above all else. Thank wewe for the truth wewe gave us that the world has tried so hard to deny. Thank wewe for reminding us that upendo is, above all, sacrifice.
They Should Make It!
Since Don Bluth had done it back in 1997, Disney should do it. In this version, they would make her mother Alexandra Fyodorovna along with Rasputin the main antagonists with the latter brainwashing the latter, prompting mother and daughter to be estranged au however the relationship should be. It wasn't until the final scene that Alexandra came to her senses!
They Should Not Make It!
I personally think that should not make it, because if they make Rasputin as the bad guy again. The story will be so familiar with the 1997 version! Unless they change the story and choose a brand new antagonists for the film.
An Imperial Moment
So, what do wewe think? Should Disney really make it au not?